THE AGE OF THE KNIGHT: THE LEGEND OF KING ARTHUR. NOTES & ACTIVITIES.

Minstrels and Knights

Up to the Norman conquest scops composed poems and performed them, usually with the accompaniment of a harp. Later, however, they were replaced by minstrels. Minstrels were a kind of professional entertainer: they would wander from court to court or had a fix abode at the court of a noble. They sang and recited lyrics and narratives, including ballads and romances.

Minstrels sang about romances whose main character was the knight, a central figure in the Middle Ages. This figure grew in importance as a result of the prosperity achieved by the courts, particularly in France, where the nobles wanted to hear stories about heroes, adventures and chivalry.

The knight was an idealised figure in literature. He was expected to uphold a code of chivalry which was usually associated with ideals of honour, courtly love and virtue. He was expected to be loyal to his king or lord, fight for him in battle and, if necessary, sacrifing himself for honour. 

Another knightly phenomenon was courtly love, a love relationship between a knight and his lady, in which the knight served his beloved with the same loyalty he had for his king or lord. 

The duties of a knight also included a Christian element: faith in God and commitment to fight against evil.  The knight was also expected to protect the weak and the poor, to be humble before others, merciful to his enemies and gentle to the noble ladies.

THE ARTHURIAN LEGEND IN DANTE: PAOLO AND FRANCESCA

Dante’s use of the Arthurian legend

By the late 13^th century the Arthurian legend and its stories were so well-known throughout Europe that Dante could use them for one of the most famous episodes of his Divina Commedia: that of the tragic love and death of Paolo and Francesca (Inferno, Canto V). Dante placed the two lovers from Rimini in the ring (girone) of the lustful (lussuriosi). Virgil, who is Dante’s guide through Hell and Purgatory, first points out to Dante some of the famous figures in the ground of the lustful: some of them come from classical history and literature  - Helen of Troy, Dido, Cleopatra; others – such as Tristan – come straight from the Arthurian legend.

Tristan, one of the bravest knights of the Round Table, is there because of his adulterous love for Isolde, wife to King Mark of Cornwall – who was Tristan’s uncle and who finally killed him.