WATCHING THE RAILWAY MAN

War is no game. War leaves a mark. Eric Lomax, like many other surviving soldiers,  lived haunted by his war memories all his life through, as if war never actually ended in his mind and his heart. The Railway Man, based on Lomax’s autobiography,  came out in September 2014  here in Italy as “Le due vie del destino”, but it had opened theatrically on New Year’s Day in the UK and, in the US,   in April 2014.

Eric Lomax (30 May 1919 - 8 October 2012) was one of thousands of Allied prisoners of war forced to work on the construction of the Thai/Burma railway during WW2. Fate wanted he, a train and railway enthusiast, to be part of the army of enslaved prisoners the Japanese employed for their ambitious plan. His experiences, after the secret radio he built to bring news and hope to his mates was discovered, the inhuman tortures he was subjected to,  and which left  him traumatised and shut off from the world, are the main interest of this movie. Water-boarding and savage beating didn’t make Lomax surrender or lose his will to live. Years later, with his life still affected by that huge amount of suffering and consequent hatred, he met Patti (Nicole Kidman), a beautiful woman, on a train and fell in love. Once they get married  and Patti becomes acquainted with Eric’s nightmares and terrifyingly weird moments, she  is determined to rid him of his demons.

One day they discover  that the young Japanese officer who tortured him is still alive and Eric decides that it is time to meet him again.

LOVE DESPITE WAR - TESTAMENT OF YOUTH AND SUITE FRANCAISE

1. Testament of Youth  

Testament of Youth is a British drama film,  released in the UK in January 2015, which is based on the First World War memoir of the same name written by Vera Brittain.

At the beginning of the book, Vera Brittain describes how she originally intended to write of her experiences as a novel but was unable to achieve the necessary objective distance from her subject. She then tried to publish her original diary from the war years but with all names fictionalised. This too proved unworkable. Finally she decided to write her own personal story, putting her own experiences in the wider historic and social context: an autobiographical memoir with documents (letters and poems written by the protagonists) and intellectual digressions.

Several critics have noted the cathartic process by which she deals with her grief at the loss of young men close to her - her brother Edward Brittain, her fiancé Roland Leighton, her friends Victor Richardson and Geoffrey Thurlow - in the writing.

The narrative begins with Vera's plans to enter the University of Oxford and her romance with Roland Leighton, a friend of her brother Edward. Both were commissioned as officers early in World War I, and both were subsequently killed, as were several other members of their social circle.