Thursday, 21 December 2017

WUTHERING HEIGHTS AND ITS BYRONIC HERO


A scandalous novel by a clergyman's daughter

Emily Brontë  was a clergyman’s daughter. She grew up in a remote part of England, in Howarth, a tiny village in Yorkshire.  She didn’t like to travel. When she left home she became ill. She never married and she died at the age of 30 having published her only novel and some poetry.

Wuthering Heights was one of the most shocking novel in English literature. When it was first published in 1847, it created a firestorm of protest. It was called “one of the most repellent book ever published”. One critic said it should be burnt. The protest only settle down when the second edition came out and the author was revealed to be the daughter of a parson from west-Yorkshire. How had a parson’s daughter created such a threat to civilized society as Heathcliff, a   hero driven by sexual passion and vengeance and, instead of a proper Victorian heroine,  she gave the world a married woman who runs around on the moor in her nightgown with her lover. The reading public was shocked. Shocked. But the novel has never been out of print and has had many film  adaptations. 





VIDEO 1 - I AM HEATHCLIFF


VIDEO 2 - I CANNOT LIVE WITHOUT MY SOUL 


Heathcliff

The male protagonist, Heathcliff, is described as a sort of Byronic hero, moved by irresistible passion, doomed to the despair of a solitary life and finally tending to a total identification with his love, Catherine ("I cannot live without my life, I cannot live without my soul").  Yet Heathcliff aso resembles the villain of some Gothic novel in his inhuman treatent of his wife and even his son. 

Gothic elements

There are several Gothic features in the novel, such as the sinister atmosphere of Wuthering Heights, surrounded by wilderness, Catherine's ghost, the dreams and superstitions, the macabre and the gloomy scenes connected to death. However, they are used by the author not to frightened the reader, but to convey the struggle between the  two opposing principles of love and hate, of order and chaos. 

The structure of the novel

Wuthering Heights has a complex narrative structure which employs two narrators. Mr Lockwood, the polite visitor from the city, is the outsider; apart from a few occasions when he narrates what he sees, he simply writes down, in the form of a journal, what Nelly Dean tells him. Nelly is the second narrator, closely involved in the story, and entirely reliable. Other characters occasionally narrate to Nelly.
The narration does not follow a chronological order, it starts almost at the end of the story and develops a narrative within the narrative, including the use of flashbacks. This complex structure create a sense of verisimilitude and a feeling of suspense and a mythical atmosphere. 

Poetry and tragedy


The continuous flowing of human life into the natural world creates moments of intense poetry and mysticism that are balanced by the concreteness and common sense of Nelly's language.
As a whole Wuthering Heights represents a unique achievement in Victorian literature. Often compared to a Shakespearian tragedy for its rendering of turbulent passions, unnatural crimes and cruelty, the novel marked a departure from the observation of society towards the descriptio of the individual personality and anticipated the novelists of the early 20th century in narrative technique.


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